In 1965 Lipsett filmed a series of psychology lectures at McGill University in Montreal (25) and directed A Trip Down Memory Lane (1965). A surrealist time capsule combining fifty years of newsreel footage, A Trip Down Memory Lane was Lipsett's first pure collage film, composed exclusively from stock image and sound. Continuing his process of excavation, mediation and transformation, the film constitutes a brief audiovisual tour of the post-war technocracy. In his notes “for [producer] Donald Brittain in order to communicate to him some basic thinking” on the film, Lipsett writes “As science grows, religious belief seems to have diminished”, adding that, “The new machines (of every description) are now invested with spiritual qualities. They have become ritualistic implements.” (26) Working from a by-then familiar repertoire of images, A Trip Down Memory Lane pieces together footage of a beauty contest and a religious procession; failed airflight, automotive and science experiments; callous animal testing; skyscraper construction; military paraphernalia; John D. Rockefeller and scenes of leisure; Richard Nixon and scenes of war; blimps, hot air balloons, a sword swallower. (Senses of Cinema)
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